The sprawling show, which closed April 13, is the largest in the world, capitalizing on Italian excellence in furniture design and craftsmanship. The weeklong happening, which spills out into Milan venues with numerous side events, is also increasingly the launching pad for high-level collaborations among the fashion, architecture, technological and design worlds.
‘‘The market is big and growing for those who have a strong brand,” said the presiding chairman of the international furniture show, Kartell CEO Claudio Luti, noting that visitors from 160 countries were on hand to see new products from some 2,400 furniture makers at the Rho convention center near Milan. ‘‘It is a great opportunity and a great recognition of the quality of innovation.”
Get a charge out of your furniture
At the end of a long day, both user and mobile phone are out of juice. In the dream house of the near future, there’s no more fumbling for phone chargers. Just plunk down your device on a surface with a built-in wireless charging station.
Powermat wireless recharging technology is being incorporated into Corian surfaces, the DuPont creation that can be molded into virtually any shape and purpose, making it ideal for kitchen countertops, bathroom surfaces and tabletops — any of which now can become a charging station. The energy transfer is through magnetic induction, not electricity, meaning ‘‘there is no chance of sparkage,” said Scott Eisenstein, a Powermat vice president.
DuPont envisions the broadest initial application in public spaces, say, restaurants, airports or train stations where mobile device charging can be monetized. But DuPont also sees a market niche for the technology as a luxury feature in private homes.
Until the wireless technology becomes standard in mobile phones, Powermat has bridge technologies in the form of charging phone cases or a charging ring that plugs into the device. Each need to be placed on a specified spot on the surface, where the energy transfer can be made.
Fashion meets design
The Pucci fashion house has teamed up with the Bisazza glass-mosaic makers to create splashy wall mosaics featuring archival Pucci patterns. The collaboration was born out of friendship between Laudomia Pucci and Rossella Bisazza, women who have taken over the historic Italian brands founded by their fathers.
‘The idea is to transfer the print from garments to interiors,” Bisazza said in the brand’s Milan store. ‘‘It is a way to decorate the house.”
Three of the creations are envisioned as wall hangings, pieces of art in limited editions of 99. Each bold, geometric mosaic is made from hand-cut stones and takes six mosaic makers 200 hours to assemble. The collection also includes three more-industrialized products that can be installed directly on interior walls.
Sculpted furniture by Cardin
Pierre Cardin, a pioneer in ready-to-wear fashion, also was one of the first fashion designers to branch out into furniture. Now his nephew, Rodrigo Basilicati, is spearheading a new collection of Cardin’s so-called ‘‘Utilitarian Sculptures.”
A high-back curved S-shaped chair with ever the slightest spring is part of the collection. It is made out of flexible birch, plied into curves and covered with lacquered paint. Each piece takes two to four months to produce in Cardin’s native Veneto (the designer moved to France at age 2) and will be made by order in limited quantities of as few as eight.
Cardin, now 91, was on hand for the unveiling of the creations at the Milan fairgrounds, wearing a double-breasted suit jacket accented with a green kerchief. He promptly went about reorganizing the stand, banishing refreshments, overseeing the transfer to the corner of a heavy sculpted floor lamp in the shape of a giant plant and repositioning a light to better accentuate a bureau.
‘‘If I do something, I do it well, or I don’t do it,” the designer said.
Table wear befitting the most finicky chef
Kartell has returned to table wear, a line it abandoned in the 1970s, this time tapping the imaginations of three designers and three chefs for their ideal table settings.
Italian chef and restaurateur Davide Oldani wants his servers to know exactly how to place a plate before diners so he put a raised thumb print on his dishes for proper orientation. Andrea Berton and Carlo Cracco stuck to accessories, from serving plates for Cracco to sculpted bread dishes by Berton.
Philippe Starke created a series of whimsical domes dubbed ‘‘Ding Dong” for anything from cakes to hard boiled eggs; Jean-Marie Massaud made asymmetrical plates suggestive of flat stones; and Patricia Urquiola designed a series of transparent molded plastic dishes, bowls and drinking cups.
High-tech/low-tech
While technology remains a driving force in home furnishing innovations, there were also many simple, low-tech solutions on offer.
A Dutch design team created pop-up furniture for temporary restaurants or festivals — a cushioned and heated bench for two with a built-in table that folds into a box for easy transport. The pieces, made for side-by-side dining or working, were dubbed Soullmate.
Itinerant Italians often lament the quality of espresso abroad. Bialetti, maker of stove-top espresso machines, has one solution: a stainless steel bottom on its traditional stove-top espresso maker that better conducts heat from electric or ceramic-top heating elements common abroad, while retaining the aluminum reservoir, which best preserves the espresso flavor. Bialetti’s traditional espresso makers have been all-aluminum.
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